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Archive for April 10th, 2013

Check Out This Batsh*t Crazy Trailer For ‘Wrath Of The Crows’!

Posted by Levine Communications Office on April 10, 2013

Wrath_Of_Crows_Poster_1_4_10_13

 

In the film, “In a dirty and narrow jail, Larry (Domiziano Arcangeli), Deborah (Debbie Rochon), Hugo (Brian Fortune), Hernest (John Game), and Liza (Tara Cardinal), the prisoners, are obliged to suffer injustices from the guards and from their chief, the officer. Above all of them is the judge. Nobody ever sees him, but he is the one that sets the rules, and he’s feared by inmates and guards alike. The prisoners know how to behave and what are the rules to be respected, but they don’t remember anything of their former life outside the walls of the fortress of their prison.

The prisoners’ sole memory, slowly emerging during the story, is the Great Evil that led them to the fortress. And the long, long time they have been imprisoned in it. Suddenly a new prisoner makes an out from nothing-like appearance: PRINCESS (Tiffany Shepis). She is a beautiful lady, dressed only in a crow feathers coat, shining and sensual. Her arrival causes curiosity, envy, suspicion, and a deep sexual agitation.

In a very short time Princess reveals her dark and supernatural nature: She can move objects with the power of her mind and is extremely strong. As Liza soon discovers, escape is just a dream for all of the prisoners. The rude nightmarish projected images they can see outside the windows of their cells make them give up thoughts of escape. But you can’t escape from yourself or your past.

After execution, Deborah and Liza find themselves disoriented, soulless, and empty in the Lost Souls Prison, where they meet an old blind man named Charlie (Gerry Shanahan), “The Soulkeeper”. The souls are dark bodies, sealed into inviolable cells. But Deborah manages to reunite with her soul and then attacks the old man in order to free Liza.

The two of them find an exit, but escape is everything but easy. Soon they realize that the whole fortress, outside and inside, is just a terrifying mirror game where reality is confused with illusion and nightmares become true, throwing the two girls in an endless vortex of terror and madness.

See the trailer at Bloody-Disgusting

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Interview With The Incredible Stunt Driver Robert Nagle

Posted by Levine Communications Office on April 10, 2013

By Michael Muire Robert Nagle Rig

Robert Nagle studied mechanical engineering and racecar design before becoming a professional race driver. But when he found out that some of the other drivers were working in the film industry, it piqued his interest. Said Nagle, “What I found was that it fulfilled a creative side of me that I didn’t really realize was there.” He left the racing world and hasn’t looked back, doing stunt driving for a number of films, including The Dark Knight Rises and Drive.

One piece of equipment he’s been driving lately is the Biscuit Rig Jr., a driveable platform developed by Allan Padelford Camera Cars. In this interview he describes the origins of the vehicle and its operation and uses.

Filmmaker: What is the Biscuit Rig?

Nagle: Allen Padelford originally built a rig for the movie Sea Biscuit, and it was a giant driveable platform they put mechanical horses on to film the actors up close.

The vehicle was also used on Aviator, and they mounted an aircraft fuselage on it for Leo [DiCaprio] to sit in for a crash sequence. During that time there was a huge brush fire in Southern California and the rig was caught up in the brush fire and was lost.

Fast forward a few years later, Allen and I got together and started collaborating on some projects and we decided to build a different version of what he was calling the Biscuit Rig, and we came up with the Biscuit Jr.

We engineered this thing from the ground up; it’s powered by a V8 Cadillac Northstar that’s about 400 horsepower. It’s front wheel drive and there’s a pair of wheels at the back. Six wheels in total.

There’s a pod that is the driver position that is moveable around the rig. If the cameras are looking towards the back it can sit toward the front of the rig, or if the cameras want to face forward we can move the driving pod to the rear of the vehicle to be out of frame. That’s what makes this design unique.

Filmmaker: It can be modified?

Nagle: The whole thing is modular so we can really play around with what the bed looks like and how many axels we have. ForTotal Recall, we added another set of axels because of the amount of load that was on it.

Filmmaker: What’s the advantage of this over a typical trailer?

Nagle: You can drive over 100 miles an hour with it, we can high-speed through traffic, we can slide it, we can spin it.  It’s heavy. Not super responsive, but it handles extremely well. It’s very fast.

Filmmaker: How do you slide it if it’s not very responsive?

Nagle: Well when I say it’s not very responsive, it’s not like a sports car. It is heavy, but most people walk away quite amazed at how well it gets around.

Filmmaker: It must be a very odd feeling to be driving from the back?

Nagle: It really is because all the sensation and everything you feel is completely off from what you are used to. I acclimate to it pretty quickly because I have done it so much, but it’s definitely an odd sensation.

Filmmaker: What’s the most amazing bit of driving that you’ve done with this?

Nagle: One would be in Drive. Almost all of the sequences where Ryan Gosling is driving, he’s on the Biscuit Rig. We did a chase sequence where……..

 

Click here to read the rest of the interview.

 

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